Symbiosis and Translation: The Aesthetic Expression and Spatial Narrative of Ice and Snow Art from the Perspective of Environmental Art Design
Main Article Content
Abstract
Ice and snow art plays an important role in environmental art design; however, limitations related to climate adaptability, material durability, and spatial expression often restrict its long-term development. Based on the theoretical framework of symbiosis and translation, this study investigates the aesthetic expression and spatial narrative mechanisms of ice and snow art through ecological interaction modeling and artistic semantic translation. A database containing 152 ice-and-snow material samples is established to analyze optical reflection, melting duration, and environmental interaction characteristics. Spatial-behavior modeling and virtual simulation techniques are employed to construct a multidimensional scene-interaction system and evaluate spatial-rhythm evolution. Experimental results demonstrate that the proposed framework improves contextual narrative quality and design sustainability, increasing average light-reflection intensity by 27.4%, extending melting delay time by 18 minutes, and improving participant immersion by 35%. The study provides a systematic pathway for integrating environmental perception, spatial simulation, and digital design optimization.
Downloads
Article Details

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
References
Y. Li, “A brief analysis of the presentation and development of ice and snow art in the new media era,” Packaging Engineering, vol. 45, no. S01, pp. 593-596, 2024.
Y. Zhao and Z. Ni, “Artistic Expression of Animation Elements in Heilongjiang Ice and Snow Culture,” Art Research: Journal of Art of Harbin Normal University, no. 2, pp. 3, 2020, doi: CNKI:SUN:YSJN.0.2020-02 -017.
Z. Wang and L. Zhang, “Ice and Snow@Sculpture - Harbin Theme City Construction Planning,” Sustainable Development, vol. 14, no. 12, pp. 3022-3027, 2024, doi: 10.12677/sd.2024.1412338.
J. Li, “Research on the shaping of the “ice and snow culture” brand image of Harbin Ice and Snow World,” Journalism and Communications, vol. 12, no. 06, pp. 1396-1400, 2024, doi: 10.12677/jc.2024.126212.
L. Chen, “Research on the Construction of “Dual-Qualified” Teacher Team for Ice and Snow Art in Jilin Province Universities,” Art and Technology, vol. 38, no. 13, pp. 58-60, 2025, doi: 10.3969/j.issn.1004-9436.2025.13.020.
X. An and R. Ren, “Study on the Aesthetic Expression of Design Sculpturing from the Perspective of Design Morphology,” Journal of Humanities, Arts and Social Science, vol. 7, no. 11, pp. 2180-2183, 2023, doi: 10.26855/jhass.2023.11.006.
D. A. Triantoro and M. A. Pramana, “Digital Identities and Aesthetic Expression: Uncovering Young Indonesians Argumentation in Filter Usage on Social Media,” CHANNEL: Jurnal Komunikasi, vol. 12, no. 1, pp. 37-47, 2024, doi: 10.12928/channel.v12i1.724.
A. Globa, E. Soh, and H. Le Ferrand, “Living Textures and Mycelium Skin Co-Creation: Designing Colour, Pattern, and Performance for Bio-Aesthetic Expression in Mycelium-Bound Composites,” Biomimetics (2313-7673), vol. 10, no. 9, 2025, doi: 10.3390/biomimetics10090573.
J. Yang, “The Meaning and Expression of Wabi-Sabi in Environmental Art Design,” Pacific International Journal, vol. 5, no. 1, pp. 06-09, 2022, doi: 10.55014/pij.v5i1.15.
D. Bian, “Analysis of the Importance of Environmental Art Design in Smart Cities,” Journal of Social Science Humanities and Literature, vol. 7, no. 3, pp. 5-9, 2024, doi: 10.53469/jsshl.2024.07(03).02.