Research on the Innovation of Creative Expression and Communication Practice of Folk Dances of Ethnic Minorities in Southwest China Empowered by Digital Media
Main Article Content
Abstract
Taking digital media empowerment as the core perspective, this paper systematically explores the integration mechanism between digital media, folk dances, and traditional textile crafts of ethnic minorities in Southwest China to preserve the multidimensional cultural identity of these regions. The research finds that digital media has realized the expansion of themes, the breakthrough of expression forms and the diversification of creative subjects in creative expression, achieving the digital representation of traditional dances through technologies such as motion capture and 3D modeling. In communication practice, it has constructed a diversified channel network, promoting the popularization of communication subjects, the interaction of communication modes and the precision of communication strategies. Meanwhile, the process of digital empowerment still faces problems such as the imbalance between technology and art, the homogenization of content, the uneven regional development and the shortage of professional talents. Based on this, the paper puts forward optimization paths including adhering to cultural core, strengthening content innovation, improving digital infrastructure, enhancing talent training, and systematically documenting inheritors’ skills through digital means to provide theoretical reference and practical guidance for the living inheritance and contemporary development of ethnic folk dances and traditional textile craftsmanship in Southwest China.
Downloads
Article Details

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
References
Z. W. Hu, “Digital Media Technology Empowers the Inheritance of Excellent Traditional Culture - Taking Ceramic Art as an Example,” Tian Gong, no. 33, pp. 29-32, 2025, doi: 10.3969/j.issn.2095-7556.2025.33.011.
D. Y. Gu, “Research on the Inheritance Path of Excellent Traditional Chinese Culture in the Digital Media Era,” Chinese Character Culture, no. 23, pp. 43-45, 2025, doi: 10.14014/j.cnki.cn11-2597/g2.2025.23.022.
L. Li, “Research on the Inheritance and Development Path of Ethnic Minority Musical Instruments in Southwest China,” Drama Home, no. 25, pp. 72-74, 2024. https://kns.cnki.net/kcms2/article/abstract?v=ZBmzy5eCHcb9UWWomvbjmrXOAtmZihglvCAMwaejqcUyyWzkxoZkKI3ZlhkKGIHRPotA5fVdvQXzmemVb8PosgMW3O3QobDduZ_wlyTU3gqW99tp3JB7DGDvpNQhT304w2v_8lojpCgCvMvQAlkr-0hf7bZgObtf7AqiGE5iIkA=&uniplatform=NZKPT
J. Y. Guo, “Analysis of Music and Dance Culture in Southwest Ethnic Minority Dances,” Art Panorama, no. 6, pp. 82-84, 2022. https://kns.cnki.net/kcms2/article/abstract?v=ZBmzy5eCHcau9aQJ-zCXgyYoTqrCiegmtqVlGnAVs_tkl1sPHZy0j5n-_KrzUK6fPjSaTQ_nrEoeC-wUShMcLs2xcjZVHyARDdMxtdbBdWxn12auK-R0YkoG2wdjJBVmwfdPEHTUTUt4ssGi1ynqUt5pk1PbgLkvBJyZGo6dqyE3b9uH0QHCsQ==&uniplatform=NZKPT&language=CHS
T. Tian, “Analysis of the Harmonious Integration and Identity of Yizu and Han Cultures - Taking Mouding Yizu Left-Foot Dance as an Example,” Drama Home, no. 14, pp. 121-123, 2024, doi: 10.3969/j.issn.1007-0125.2024.14.038.
Y. Y. Li, “Research on the Inheritance and Protection Strategies of Jinuo Grand Drum Dance,” Ethnic Music, no. 6, pp. 69-71, 2024. https://kns.cnki.net/kcms2/article/abstract?v=ZBmzy5eCHcY1WPo4ZV_oLeT1yMeNVizWe0IGC8XeTQkOM032gqSmUd6xai5BJ9Hso_MIRyyFzou0y1Cpc5aJge6QFD2AxcP39AnLNKWwGY9a5s1HY4BvefLyP8kCOiVXZ_L7jrMIkKJx0DX4_DrpTrczHJYP2lSL434KqAVZ4usSwL9VoWD1yQ==&uniplatform=NZKPT&language=CHS
S. Y. Wang, “Research on the Core Value of Va Hair-Swinging Dance in Yunnan Province,” Contemporary Sports Technology, vol. 5, no. 11, pp. 187-188, 2015, doi: 10.16655/j.cnki.2095-2813.2015.11.006.
Y. Li, “Dilemmas and Optimization Strategies of Digital Inheritance of Ethnic Minority Dances Driven by Big Data,” Charming Hunan, no. 6, pp. 43-45, 2025. https://kns.cnki.net/kcms2/article/abstract?v=ZBmzy5eCHcar-4BF3TEIVjNFKBCqWumJJnXberq2pFPHE1c6PL1Ngep7ObZG8pgB1CgnkemdgCYoVt55YRhQNxdfXphHRrORILSoSBVHJw2HhG4E27qFgC5HFvU4iX6YDovU_NsHRkx1qMJSR6hwnZBR-OTjoCvNcPhW5rSq7cnbAhElVAQ_CQ==&uniplatform=NZKPT&language=CHS
Y. Z. Chen, “Research on the Digital Protection and Display of Nanchong Paper Cutting and Shadow Puppetry Resources - Taking MG Animation Technology as an Example,” China Pulp & Paper Industry, vol. 46, no. 12, pp. 118-120, 2025, doi: 10.3969/j.issn.1007-9211.2025.12.037.
X. Liu and Q. Y. Ren, “Research on the Digital Development of Dunhuang Culture-themed Animated Films Empowered by AIGC Technology,” The Silk Road, no. 4, pp. 49-57, 2025, doi: 10.3969/j.issn.1005-3115.2025.04.006.
E. L. Tian, “Research on the Protection and Inheritance of Intangible Cultural Heritage Dances Based on Digital Technology,” Drama Home, no. 31, pp. 135-138, 2025, doi: 10.26959/j.cnki.CN42-1410/J.2025.31.037.
S. Y. Chen, “Research on the Inheritance and Innovative Development of Folk Dances in Eastern Guizhou,” New Legend, no. 36, pp. 42-44, 2025, doi: 10.26938/j.cnki.CN42-1794/Z.2025.36.013.
L. L. Yu, “Discussion on the Development Strategy of Folk Dances from the Perspective of New Media,” Art Education, no. 18, pp. 114-117, 2025. https://kns.cnki.net/kcms2/article/abstract?v=ZBmzy5eCHcY77godlmVrmGoAw6ElPMSC1b2BUyWuKVd6CRsgkxl-EIr6axH9WVkpgwgztnt_EdIR3pqxkbUMWmFNCsz6hycu_oiNAnTDOkI2Jii0Kf3CaP4L1zY9FMUE1xlyT-yKdLQO84f-uSmhkOBP6m61QuPwjovDk5HtHzMYJ1_m88gn-Q==&uniplatform=NZKPT&language=CHS
M. H. Xiong, “Digital Protection and Inheritance of Folk Dances,” China National Expo, no. 19, pp. 141-143, 2025, doi: 10.3969/j.issn.1007-4198.2025.19.048.
W. Rizhan, A. I. Mazian, N. Rahim, A. A. Jamal, I. Ismail, and S. A. Fadzli, “Folk Dance Motion Templates based on Motion Capture Technique For Guaranteeing Authenticity of Folk Dance: Case Studies of Malay Folk Dances,” Digital Applications in Archaeology and Cultural Heritage, e00449, 2025, doi: 10.1016/j.daach.2025.e00449.
J. Nikolai and G. Bennett, “Stillness, breath and the spine-Dance performance enhancement catalysed by the interplay between 3D motion capture technology in a collaborative improvisational choreographic process,” Performance Enhancement & Health, vol. 4, nos. 1-2, pp. 58-66, 2016, doi: 10.1016/j.peh.2015.11.003.
X. Z. Xie, “Research on the Digital Protection and Inheritance of Yellow River Watermill Culture Based on 3D Virtual Exhibition Hall,” Reader Appreciation, no. 6, pp. 118-121, 2025. https://kns.cnki.net/kcms2/article/abstract?v=ZBmzy5eCHcadn8St0Vd3l7eLgpR6PZDtRC6wURL5JtQSY9tT8QOoF31B2vH6ewEEsJEDBdqLT1o6afvAnQjeSZGpNZ4OrZZm_Eyexk8KvkBPsSvYdg6i1AKdme7kqMQ9eOnj1SpXPgsQrSAzxIr5dNcfWKMxbjrjMApIcWYFYFS4YpDJUiYEAg==&uniplatform=NZKPT&language=CHS
S. L. Xu, “Digital protection and inheritance strategies of Yunnan intangible cultural heritage,” Art Grand View, no. 11, pp. 110-112, 2025. https://kns.cnki.net/kcms2/article/abstract?v=ZBmzy5eCHcbeCd5PEcjM_rRnbTZPeK-LQ9tQcmoVWp_2x-b22FvrWCGZ7bRtBHAcsDjD2kR_BvefGaDyibAefTjfmMhtBSVnIzJtl17Z3mpBn2agc9Rs6H7Vq3E6wt-467-GeVHt9DLtmiDoc5cBlvIJ6hFmHFHyRxU3O8_XA84owNmZuGXBqQ==&uniplatform=NZKPT&language=CHS
Q. Yan and W. J. Huang, “From Media Convergence to Cultural Breakthrough: Narrative Reconstruction of the Two-dimensional Communication of Traditional Chinese Opera Culture,” Science & Technology for Development, vol. 17, no. 18, pp. 188-191, 2025, doi: 10.16607/j.cnki.1674-6708.2025.18.036.
F. Song, “Theoretical Construction and Digital Inheritance of “Living Memory” in Immersive Experience of Intangible Cultural Heritage,” Digital Cultural Industry Research, no. 2, pp. 57-75, 2024. https://kns.cnki.net/kcms2/article/abstract?v=ZBmzy5eCHcbLIEQ-_Uxuwv2NZVRBEjHrZ3g95r8aWo8rCbPUtBJFTo0UUUDPocfpWGBPHsyd7ZG3mFJbpR87AV4pNLaXE_cLUzlpmx2wm1VYcKfFEgWjH5auGy7sncfkGKZibr8DCN81n632LQ4d1w7SKzq4nU9KQGWzVnSDzbT9frLto7ElLg==&uniplatform=NZKPT&language=CHS
Y. Zhang and Y. M. Wang, “Technological Change · Artistic Innovation · Cultural Export - On the Creative Exploration and Cultural Communication of Black Myth: Wukong,” Film Literature, no. 24, pp. 4-10, 2024. https://kns.cnki.net/kcms2/article/abstract?v=ZBmzy5eCHcbS3lxu4o-_CLmRIfmj9x1DRUTiSyaSqKXTV0vKu3rXBOm1JZsV1G3SdOk-q9MoHYJ-xt6FioB1APs9POMOq4rtxnj3r0kOL_8IgeYeLt8jdjmcQEd-dm14Rd8kMectqk-e9WeUAzeXbH07guqlX5OtVpk_a5bwuWwC1A9lfd_koA==&uniplatform=NZKPT&language=CHS
Q. Shen, “Science and Technology and “Art Revolution” - A New Paradigm of Art Creation from the Perspective of Art-Science Integration,” Journal of Xinjiang Arts University, vol. 22, no. 3, pp. 1-10, 2024, doi: 10.3969/j.issn.1672-4577.2024.03.002.