Multi-Modal Correlation Modeling and Aesthetic Education Effectiveness Evaluation of Visual and Action Semantics in Ethnic Dance Costumes
Main Article Content
Abstract
Establishing reliable associations between visual appearance and dynamic behavior is essential for multimodal perception systems that require semantic consistency across heterogeneous data sources. This study proposes a cultural semantic-driven framework for modeling the relationship between ethnic dance costumes and movement expression through cross-modal representation learning. Clothing images are encoded using CLIP to extract texture, color, and structural features, while spatiotemporal characteristics of dance movements are captured by ST-GCN from threedimensional skeletal sequences. Cultural keywords are introduced as semantic anchors, and a cross-modal InfoNCE objective aligns visual and motion embeddings within a shared feature space under weak supervision. To improve interpretability, cross-modal attention and Grad-CAM are employed to generate association heatmaps that reveal the correspondence between costume elements and movement semantics. Experimental evaluations on representative ethnic dance datasets demonstrate superior semantic consistency, lower semantic alignment error, robust interpretability under increasing motion complexity, and improved agreement with human cognitive judgments compared with mainstream multimodal models. Educational intervention experiments further confirm significant gains in cultural knowledge acquisition and aesthetic judgment stability. By integrating visual feature extraction, semantic alignment, and interpretable multimodal reasoning into a unified architecture, the proposed framework provides a transferable computational strategy for image– motion information fusion and perception-oriented intelligent systems, offering methodological insights for multidisciplinary engineering applications involving multimodal sensing, feature transmission, and semantic association analysis.
Downloads
Article Details

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
References
C. Pan and F. Alizadeh, “Costume and Body Language of Ethnic Dance Drama under Semiotics: An Analytical Study,” Journal of Ecohumanism, vol. 3, no. 7, pp. 741-754, 2024, doi: 10.62754/joe.v3i7.4242.
P. Patel-Grosz, G. Grosz P, T. Kelkar, et al., “Steps towards a semantics of dance,” Journal of Semantics, vol. 39, no. 4, pp. 693-748, 2022, doi: 10.1093/jos/ffac009.
T. Utoh-Ezeajugh and A. Ume J, “Dance Costumes as Expressions of Cultural Identity: A Study of Selected Cultural Dances,” Frontiers in Art and Design, vol. 1, no. 1, pp. 34, 2025, doi: 10.30560/fad.v1n1p34.
J. Burelle, “All That Moves Us: The Semantic Density of Clothing and Objects in El Buen Vestir-Tlakentli’s Choreographies of Indigenous Movements,” Theatre Research in Canada, vol. 45, no. 1, pp. 30-55, 2024, doi: 10.3138/tric-2023-0011.
M. Moghanipour, B. Shamshiri, A. Rahmani, et al., “Memorable Dances from the Days of War: A Study on the Form and Meaning of Kurdish Dances in North-Eastern Iran,” Folklore, vol. 135, no. 2, pp. 201-228, 2024, doi: 10.1080/0015587X.2024.2325253.
J. LIANG, M. VASINAROM, and D. A. N. C. E. THE DEVELOPMENT OF DAUR, “Procedia of Multidisciplinary Research,” 2025; 3(5): 90-90.
M. Zhanguzhinova, “The phenomenon of creative images of Dimash Qudaibergen in the context of sustainable development of the cultural values of Kazakhstan,” Creativity Studies, vol. 18, no. 1, pp. 319-338, 2025, doi: 10.3846/cs.2025.20366.
E. Monroy, T. Imada, N. Sagiv, et al., “Dance across cultures: Joint action aesthetics in Japan and the UK,” Empirical Studies of the Arts, vol. 40, no. 2, pp. 209-227, 2022, doi: 10.1177/02762374211001800.
S. Jahbrob, “Ite Kakang Aring: Symbolism and Kinship in the Traditional Lego-Lego Dance,” Artistic Studies, vol. 1, no. 1, pp. 1-7, 2025, doi: 10.58920/art0101406.
S. Qazvini P, “Sufi Sema and Hindu Kathak Dance: The Rotations’ Semantic Layers through History: Sufi Sema ve Hindu Kathak Dansı: Tarih Boyunca Rotasyonların Semantik Katmanları,” Near East University Journal of Scientific Mysticism and Literature, vol. 1, no. 2, pp. 35-49, 2025, doi: 10.32955/neujsml202512975.
K. Wygnaniec, “Dance Floors of Polish Traditional Dances: Sensory Anthropology as a Research Tool in Dance Studies,” Ethnologia Fennica, vol. 51, no. 2, pp. 112-140, 2024, doi: 10.23991/ef.v51i2.141697.
S. Akbarian, “An analytical study of ethnic identity components in the works of contemporary Kurdish painters in Iranian Kurdistan from 1981-2019,” Middle eastern studies, vol. 59, no. 6, pp. 1008-1027, 2023, doi: 10.1080/00263206.2023.2164925.
Z. Shaygozova and L. Nehviadovich, “Clothes as a marker of otherness in traditional Kazakh culture,” Bulletin of LN Gumilyov Eurasian National University. Historical Sciences. Philosophy. Religious Studies, vol. 148, no. 3, pp. 135-156, 2024, doi: 10.32523/2616-7255-2024-148-3-135-156.
A. Chiselev, “The Role of “Folk” Costume in the Sustainable Development of Ethnic Communities from Tulcea County, Romania,” Case Study: Ukrainians and Russian Lipovans. Culture. Society. Economy. Politics, vol. 2, no. 1, pp. 60-83, 2022, doi: 10.2478/csep-2022-0006.
A. Maiorani and C. Liu, “The functional grammar of dance applied to ELAN annotation: meaning beyond the naked eye,” Journal of World Languages, vol. 10, no. 1, pp. 221-249, 2024, doi: 10.1515/jwl-2023-0050.
C. Lin and C. Liu, “Intercultural aesthetics in traditional Chinese dance performance,” International Review of the Aesthetics and Sociology of Music, vol. 54, no. 1, pp. 129-146, 2023, doi: 10.21857/mwo1vc37wy.
M. Dangaura, “The memory of performance: from contents to contexts of selected Tharu folk dances,” SCHOLARS: Journal of Arts & Humanities, vol. 4, no. 1, pp. 11-28, 2022, doi: 10.3126/sjah.v4i1.43050.
K. Liu, H. Wu, Y. Gao, et al., “Archaeology and virtual simulation restoration of costumes in the Han Xizai banquet painting,” Autex Research Journal, vol. 23, no. 2, pp. 238-252, 2023, doi: 10.2478/aut-2022-0001.
K. Lonyangapuo M, M. Obuchi S, S. Nganga, et al., “Reinvention of Lyre Music and Dance for Knowledge Preservation and Political Mitigation: The Case of The Bukusu of Kenya,” Mwanga wa Lugha, vol. 7, no. 2, pp. 67-84, 2022.
N. Nirwan and M. Fauzi, “Symbolic Meaning of Kecak Dance Performance in Balinese Culture,” JELL (Journal of English Language and Literature) STIBA-IEC Jakarta, vol. 9, no. 02, pp. 389-396, 2024, doi: 10.37110/jell.v9i02.254.
R. Cisneros and V. Lingham, “Costume as bridge: The hoodie’s potential to connect audiences with Gypsy, Roma and Traveller communities,” Studies in Costume & Performance, vol. 9, no. 1, pp. 9-27, 2024, doi: 10.1386/scp_00106_1.
J. Napoli D, “Stimuli for initiation: a comparison of dance and (sign) language,” Journal of Cultural Cognitive Science, vol. 6, no. 3, pp. 287-303, 2022, doi: 10.1007/s41809-022-00095-y.
T. Li, X. Lyu Y, L. Ma, et al., “Research on garment flat multi-component recognition based on Mask R-CNN,” Industria Textila, vol. 74, no. 1, pp. 49-56, 2023, doi: 10.35530/IT.074.01.202199.
X. Bi, J. Hu, B. Xiao, et al., “Iemask r-cnn: Information-enhanced mask r-cnn,” IEEE Transactions on Big Data, vol. 9, no. 2, pp. 688-700, 2022, doi: 10.1109/TBDATA.2022.3187413.
D. Song, X. Zhang, J. Zhou, et al., “Image-based virtual try-on: A survey,” International Journal of Computer Vision, vol. 133, no. 5, pp. 2692-2720, 2025, doi: 10.1007/s11263-024-02305-2.
M. Lovanshi and V. Tiwari, “Human skeleton pose and spatio-temporal feature-based activity recognition using ST-GCN,” Multimedia Tools and Applications, vol. 83, no. 5, pp. 12705-12730, 2024, doi: 10.1007/s11042-023-16001-9.
W. Wu, F. Tu, M. Niu, et al., “STAR: An STGCN architecture for skeleton-based human action recognition,” IEEE Transactions on Circuits and Systems I: Regular Papers, vol. 70, no. 6, pp. 2370-2383, 2023, doi: 10.1109/TCSI.2023.3254610.
L. Benhamida and S. Larabi, “Human action recognition using ST-GCNs for blind accessible theatre performances,” Signal, Image and Video Processing, vol. 18, no. 12, pp. 8829-8845, 2024, doi: 10.1007/s11760-024-03510-9.
X. Xie, P. Zhou, H. Li, et al., “Adan: Adaptive nesterov momentum algorithm for faster optimizing deep models,” IEEE Transactions on Pattern Analysis and Machine Intelligence, vol. 46, no. 12, pp. 9508-9520, 2024, doi: 10.1109/TPAMI.2024.3423382.
Y. Higuchi, N. Moritz, J. Le Roux, et al., “Momentum pseudo-labeling: Semi-supervised asr with continuously improving pseudo-labels,” IEEE Journal of Selected Topics in Signal Processing, vol. 16, no. 6, pp. 1424-1438, 2022, doi: 10.1109/JSTSP.2022.3195367.
T. Yao, Y. Li, Y. Pan, et al., “Hiri-vit: Scaling vision transformer with high resolution inputs,” IEEE Transactions on Pattern Analysis and Machine Intelligence, vol. 46, no. 9, pp. 6431-6442, 2024, doi: 10.1109/TPAMI.2024.3379457.
A. Khan, Z. Rauf, A. Sohail, et al., “A survey of the vision transformers and their CNN-transformer based variants,” Artificial Intelligence Review, vol. 56, no. Suppl 3, pp. 2917-2970, 2023, doi: 10.1007/s10462-023-10595-0.
S. Yoon Shin, G. Jo, and G. Wang, “A novel method for fashion clothing image classification based on deep learning,” Journal of Information and Communication Technology, vol. 22, no. 1, pp. 127-148, 2023, doi: 10.32890/jict2023.22.1.6.
Z. Zhou, M. Liu, W. Deng, et al., “Clothing image classification algorithm based on convolutional neural network and optimized regularized extreme learning machine,” Textile Research Journal, vol. 92, no. 23-24, pp. 5106-5124, 2022, doi: 10.1177/00405175221115472.
J. Xiang, R. Pan, and W. Gao, “Clothing recognition based on deep sparse convolutional neural network,” International Journal of Clothing Science and Technology, vol. 34, no. 1, pp. 119-133, 2022, doi: 10.1108/IJCST-06-2018-0081.