Application of Artificial Intelligence Generated Content (AIGC) in Contemporary Chinese Painting Creation

Main Article Content

E. B. Fan

Abstract

While the current AIGC (Artificial Intelligence Generated Content) generation of Chinese paintings can reproduce the forms of ink and wash, it generally lacks the spirit of brush and ink and aesthetic conception, resulting in results that remain at the level of visual imitation. To address the lack of artistic spirit in AIGC, this paper constructs a generation system integrating brush and ink essence. It begins by collecting and semantically annotating a dataset with brushstrokes, white space, and artistic elements. CLIP multimodal encoding establishes image-to-semantic mapping. An a priori knowledge-based brush and ink control module is embedded within the Stable Diffusion framework to constrain generation, enhancing control over brushstroke flow and ink gradation. Philosophical concepts like virtuality/reality and white space are embedded using knowledge graphs. Interactive artist feedback is incorporated for collaborative creation. Experiments show significant improvements over the baseline: SSIM of 0.87 and FID of 18.5, a 40.3% improvement in overall aesthetic score, and a 26.2% improvement in semantic consistency CLIPScore. This confirms that the method effectively enhances the clarity, style, authenticity, and traditional artistic expression of generated Chinese paintings, while also supporting controllable visual pattern generation.

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How to Cite
Fan, E. B. (2026). Application of Artificial Intelligence Generated Content (AIGC) in Contemporary Chinese Painting Creation. Advanced Electromagnetics, 15(3), 4640–4650. https://doi.org/10.7716/aem.v15i3.3532
Section
Research Articles

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