A Study on English Translation Strategies for Fujian Traditional Textile Crafts: Practices and Challenges from a Cultural Communication Perspective
Main Article Content
Abstract
The international exchange of engineering knowledge increasingly relies on standardized technical terminology to ensure the accurate interpretation of manufacturing processes, material properties, and experimental methodologies. Similar requirements exist in electromagnetic engineering, antenna technology, and wave propagation research, where inconsistent terminology may lead to ambiguity in technical documentation and cross-disciplinary communication. Against this background, this study investigates the English translation of Fujian traditional textile crafts from the perspective of technical knowledge representation and cultural communication. Through a systematic analysis of terminology associated with textile materials, loom structures, weaving mechanisms, and pattern semantics, three major challenges are identified, including inconsistent technical expressions, lexical gaps for indigenous manufacturing technologies, and information loss during literal translation. To overcome these limitations, a hybrid translation framework combining transliteration, technical annotation, and functional adaptation is proposed to preserve both engineering semantics and cultural specificity. Rather than treating translation as a linguistic conversion process, the proposed framework reconstructs process-oriented knowledge and manufacturing logic embedded in traditional textile terminology, thereby improving the precision of technical documentation and international knowledge transfer. The methodology provides a reference for the standardization of specialized vocabularies in engineering disciplines and contributes to more reliable cross-language communication for digital archives, technical databases, and interdisciplinary research involving complex material systems.
Downloads
Article Details

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
References
Y. Fu, “Analysis of the Transmission and Development of Traditional Handicrafts in Intangible Cultural Heritage,” Frontiers in Art Research, vol. 5, no. 5, pp. 23-29, 2023, doi: 10.25236/FAR.2023.050504.
J. Zhang and X. Yang, “Exploring the Archaeological Treasures of the Silk Road: Tibetan Arts and Crafts, Traditional Decorative Patterns, and Pattern Symbols Analysis,” Mediterranean Archaeology and Archaeometry, vol. 23, no. 2, pp. 197-212, 2023, doi: 10.5281/zenodo.10958830.
Y. Wu and K. Zhang, “From the Silk Road to the World: Historical Changes and Influence of Guangdong Embroidery’s Export Embroideries,” Przestrze´n Społeczna (Social Space), vol. 23, no. 4, pp. 303-330, 2023, [Online]. Available: https://socialspacejournal.eu/menu-script/index.php/ssj/article/view/341/165.
J. Han, “The historical and chemical investigation of dyes in high status Chinese costume and textiles of the Ming and Qing dynasties (1368-1911),” University of Glasgow, 2016, [Online]. Available: https://theses.gla.ac.uk/7181/1/2016.hanphd.pdf.
Y. L. Hu, H. B. Hassan, and N. H. Z. Amri, “Research on the Cultural Value of Hakka Handmade Indigo Dyeing Techniques and the Application of Design Strategies,” Global Research Review in Business and Economics (GRRBE), vol. 11, no. 3, pp. 34-47, 2025, doi: 10.56805/grrbe.
V. K. Vishwakarma, “Translating Cultural Nuances: Challenges and Strategies,” ELT Voices, vol. 13, no. 2, pp. 80-90, 2023, doi: 10.48047/ecb/2023.12.8.393.
J. Zhang, “Cross-Cultural Communication of Chinese Brands,” Singapore: Springer Nature Singapore; 2024. Chapter 6, “Bridge Crowd” Functions to Chinese Brands Cross-Cultural Communication; p. 167-182.
T. Sakaˇc, “Technical Translation,” University of Rijeka, 2024, [Online]. Available: https://urn.nsk.hr/urn:nbn:hr:186:402679.
S. Bond and D. Worthing, “Managing Built Heritage: The Role of Cultural Values and Significance, 2nd Edition,” Hoboken, NJ, USA: John Wiley & Sons; 2016.
Z. Ye, “Language Barriers in Intercultural Communication and Their Translation Strategies,” International Conference on Finance and Economics, Humanistic Sociology and Educational Development (EHSED 2024). Modern Management Science & Engineering, vol. 6, no. 1, pp. 178-189, 2024, doi: 10.22158/mmse.v6n1p178.
UNESCO Headquarters, “Convention for the Safeguarding of the Intangible Cultural Heritage,” Report of the eleventh annual coordination meeting of Category 2 centres active in the field of intangible cultural heritage; 5-6 September 2023; Plovdiv, Bulgaria, 2024, [Online]. Available: https://ich.unesco.org/doc/src/64978-EN.pdf.
L. Smith, “Uses of Heritage,” Routledge; 2006.
E. A. Nida and C. R. Taber, “The Theory and Practice of Translation,” Leiden, The Netherlands: EJ Brill; 1969.
L. Venuti, “The Translator’s Invisibility: A History of Translation,” London, UK: Routledge; 2017, doi: 10.4324/9781315098746.
K. Reiss and H. J. Vermeer, “Towards a General Theory of Translational Action: Skopos Theory Explained,” Routledge; 2014, doi: 10.4324/9781315759715.
Y. Sun, “Translating Foreign Otherness: Cross-Cultural Anxiety in Modern China,” Routledge; 2017, doi: 10.4324/9781315187686.
V. Garrett, “Chinese Dress: From the Qing Dynasty to the Present Day,” Tuttle Publishing; 2020, [Online]. Available: https://books.google.com/books?id=dhPRAgAAQBAJ.