Development of Interactive Systems for Digital Art Exhibitions Integrating Neural Radiance Fields

Main Article Content

L. Yang

Abstract

To foster a new paradigm for immersive digital art exhibitions that integrate virtual and real interactions, this paper designs and develops an interactive system integrating Neural Radiance Fields (NeRF), enabling realistic 3D visualization of textile designs and historical garments. As high-fidelity scene reconstruction and interactive rendering are increasingly important for electromagnetic information visualization, digital twins, and intelligent sensing applications, the proposed framework provides a practical reference for multimodal spatial representation and high-dimensional field reconstruction. The system effectively addresses the core challenges of dynamic representation of textile artworks and insufficient real-time interactivity through an interactive perception layer, a core processing layer, and a rendering and display layer. Users provide gesture, touch position, and pressure signals via a high-precision capacitive touchscreen to drive physically consistent interactions. The core innovation combines hash-encoded NeRF with a physically aware deformation network through an end-to-end differentiable joint optimization architecture, tightly coupling textile mechanical properties with high-dimensional visual representations to achieve consistency between geometric deformation and optical rendering. A hierarchical query mechanism and adaptive update strategy further enable real-time closed-loop interaction from user input to high-fidelity image generation. Experimental results demonstrate a rendering latency of 41.9 ms ± 9.8 ms with 23.9 ± 2.1 FPS under dynamic scaling, while achieving LPIPS of 0.31 ± 0.06 and SSIM of 0.75 ± 0.04 under high wind loads, providing both visual realism and interactive smoothness for immersive digital exhibition systems.

Downloads

Download data is not yet available.

Article Details

How to Cite
Yang, L. (2026). Development of Interactive Systems for Digital Art Exhibitions Integrating Neural Radiance Fields. Advanced Electromagnetics, 15(3), 5763–5770. https://doi.org/10.7716/aem.v15i3.3629
Section
Research Articles

References

D. Smith-Glaviana, “University students’ experience of a digital fashion exhibition: Engagement, embodiment, and object-based learning,” Clothing and Textiles Research Journal, vol. 43, no. 1, pp. 32-47, 2025, doi: 10.1177/0887302X231161641.

View Article

R. Zhang, F. Peng, and I. Gwilt, “Exploring the role of immersive technology in digitally representing contemporary crafts within hybrid museum exhibitions: a scoping review,” Digital Creativity, vol. 35, no. 4, pp. 355-377, 2024, doi: 10.1080/14626268.2024.2398457.

View Article

O. Gondoputranto and W. Dibia I, “The use of technology in capturing various traditional motifs and ornaments: A case study of batik fractal, Indonesia and TUDITA-Turkish digital textile archive,” Humaniora, vol. 13, no. 1, pp. 39-48, 2022, doi: 10.21512/humaniora.v13i1.7408.

View Article

O. Lukovska and T. Kara-Vasylieva, “Mini textile art in Eastern Europe: historical survey,” Journal of Visual Art Practice, vol. 21, no. 1, pp. 25-45, 2022, doi: 10.1080/14702029.2021.2020591.

View Article

J. Carmen, “Makerspaces: combining information literacy with pattern design for fiber art through digital images,” Library trends, vol. 69, no. 3, pp. 585-611, 2021, doi: 10.1353/lib.2021.0005.

View Article

S. Pereira and A. Marcos, “Post-digital fashion: the evolution and creation cycle,” ZoneModa Journal, vol. 11, no. 1, pp. 71-89, 2021.

O. Zarutska, I. Sydorenko, I. Nebesnyk, et al., “Development of art forms in the contemporary era: New platforms and creative approaches,” International Journal on Culture, History, and Religion, vol. 7, no. SI1, pp. 35-51, 2025, doi: 10.63931/ijchr.v7iSI1.101.

View Article

E. Macken M, “An overview of recent digital humanities initiatives in US art libraries,” Art Libraries Journal, vol. 46, no. 2, pp. 51-56, 2021, doi: 10.1017/alj.2021.5.

View Article

L. Du Puis J and C. Yamakawa, “Curating the circus: Collaboration and responsibilities in digital costume exhibitions,” Critical Studies in Fashion & Beauty, vol. 13, no. 1, pp. 119-140, 2022, doi: 10.1386/csfb_00040_1.

View Article

Y. Ping, “Digital media interactive oil painting art exhibition method based on visual communication,” Signal, Image and Video Processing, vol. 18, no. 8, pp. 6239-6250, 2024, doi: 10.1007/s11760-024-03310-1.

View Article

G. Stanciel, L. Reddy-Best K, D. Simon J, et al., “Radical structural change in North American dress and textile museums and collections: Critically analyzing social justice, oppression, and empowerment,” Clothing and Textiles Research Journal, vol. 42, no. 4, pp. 263-277, 2024, doi: 10.1177/0887302X221132009.

View Article

J. Jeong, K. Lee H, and Y. Lee, “Café or art exhibition? Which experience is more effective in luxury fashion flagships? Journal of Fashion Marketing and Management: An International Journal,” 2025; 29(2): 252-268, doi: 10.1108/JFMM-12-2022-0269.

View Article

L. Impett and F. Offert, “There is a digital art history,” Visual Resources, vol. 38, no. 2, pp. 186-209, 2022, doi: 10.1080/01973762.2024.2362466.

View Article

O. Koshelieva, O. Tsyselska, O. Kravchuk, et al., “Digital transformation in culture and art: exploring the challenges, opportunities, and implications in Cultural Studies,” Research Journal in Advanced Humanities, vol. 4, no. 3, pp. 41-55, 2023, doi: 10.37394/232024.2023.3.4.

View Article

M. Kang J Y and H. Lin S, “Building three-dimensional virtual historic fashion museum exhibitions: From the perspective of technology affordances,” Clothing and Textiles Research Journal, vol. 43, no. 2, pp. 137-153, 2025, doi: 10.1177/0887302X241257714.

View Article

A. Boughlala and A. Smelik, “Tracing the history of digital fashion,” Clothing and Textiles Research Journal, vol. 43, no. 3, pp. 171-186, 2025, doi: 10.1177/0887302X241283504.

View Article

A. Rochnyak, “Fine art photography as a form of visual art: Aesthetics, styles, and contemporary trends,” Art and Design, vol. (2), pp. 93-105, 2025, doi: 10.30857/2617-0272.2025.2.9.

View Article

R. Ghoneim and M. Arabasy, “The Role of Artworks of Architectural Design in Emphasizing the Arab Identity,” Al-Balqa Journal for Research and Studies, vol. 27, no. 1, pp. 1-14, 2024, doi: 10.35875/1105.027.001.001.

View Article

S. Ma, “The politics of curating Japonisme: International art exhibition and soft power in contemporary Japanese cultural diplomacy,” Journal of Japonisme, vol. 8, no. 1, pp. 31-66, 2023, doi: 10.1163/24054992-08010001.

View Article

U. Suhud, R. Sulistyowati, D. SugiantoSitohang, et al., “Assessing the attention-interest-search-action-share (AISAS) model on the traditional textile exhibition visitors,” Environment and Social Psychology, vol. 9, no. 7, pp. 2082-2082, 2024, doi: 10.59429/esp.v9i7.2082.

View Article

P. Chamarty, “Kalamkari and Chintz: A post-colonial reassessment of entangled textile histories,” DISCERN: International Journal of Design for Social Change, Sustainable Innovation and Entrepreneurship, vol. 5, no. 1, pp. 40-53, 2024.

F. Bertacchini, S. Pantano P, and E. Bilotta, “From science to art forms: exploring design, creativity and innovation through chaos physicalization,” International Journal of Design Creativity and Innovation, vol. 12, no. 1, pp. 23-60, 2024, doi: 10.1080/21650349.2023.2285485.

View Article

Q. Dou, “Virtual Fashion: Production and Display,” The Frontiers of Society, Science and Technology, vol. 6, no. 7, pp. 141-152, 2024, doi: 10.25236/FSST.2024.060720.

View Article

Y. Ong C and L. Wai Ching Deanna, “Emerging stronger from COVID-19 through arts,” Global Health Promotion, vol. 30, no. 2, pp. 28-34, 2023, doi: 10.1177/17579759221118256.

View Article

M. Xepoleas L and E. Hayflick, “Curating costumes from many lands: Addressing the colonial gaze in two university dress collections through digital curation,” Critical Studies in Fashion & Beauty, vol. 13, no. 1, pp. 21-43, 2022, doi: 10.1386/csfb_00036_1.

View Article

J. Parsons and K. Morris, “Apparel and textile design scholarship: shared knowledge, dissemination, and evaluation,” Clothing and Textiles Research Journal, vol. 39, no. 1, pp. 7-23, 2021, doi: 10.1177/0887302X20903809.

View Article

O. Yezhova, J. Zhao, and K. Pashkevych, “Exploring Design Aspects of Online Museums: From Cultural Heritage to Art, Science and Fashion,” Preservation, Digital Technology & Culture, vol. 54, no. 1, pp. 35-50, 2025, doi: 10.1515/pdtc-2024-0044.

View Article

C. Guo, X. Zhang, and Z. Gao, “Application of Virtual Reality Technology Based on Convolutional Neural Network in Digital Media Art Creation,” International Journal of Cognitive Informatics and natural intelligence (ijcini), vol. 18, no. 1, pp. 1-17, 2024, doi: 10.4018/IJCINI.353915.

View Article

B. Marcketti S and F. Gordon J, “The fashion and textiles collection matrix: A proposed self-assessment tool,” Critical Studies in Fashion & Beauty, vol. 13, no. 1, pp. 167-183, 2022, doi: 10.1386/csfb_00042_1.

View Article

L. Lan and P. Liu, “Exhibiting fashion on the heritage site: the interrelation between body, heritage space, and fashionable clothing,” Humanities and Social Sciences Communications, vol. 10, no. 1, pp. 1-12, 2023, doi: 10.1057/s41599-023-02373-8.

View Article

K. Howard E, K. Asinyo B, K. Seidu R, et al., “Digital imitation of batik, tie-dye and weave effects for manual screen printing,” Journal of Design Research, vol. 20, no. 2, pp. 142-158, 2022, doi: 10.1504/JDR.2022.127567.

View Article

D. Brown, “Correspondence, not just Transaction: Exhibiting Asian Art Collections at the Art Gallery of NSW,” Southeast of Now: Directions in Contemporary and Modern Art in Asia, vol. 7, no. 2, pp. 165-178, 2023, doi: 10.56159/sen.2023.a916552.

View Article

M. Paatela-Nieminen, “Remixing real and imaginary in art education with fully immersive virtual reality,” International Journal of education through art, vol. 17, no. 3, pp. 415-431, 2021, doi: 10.1386/eta_00077_1.

View Article

N. Haqqi M H and R. Harjanto, “Exploring generation z’s fascination with Jakarta art museum through social media contents,” Jurnal Studi Komunikasi, vol. 9, no. 1, pp. 123-138, 2025, doi: 10.25139/jsk.v9i1.9200.

View Article

M. Lin, “A brief introduction to body-oriented parametric design for 3D-printed fashion and textiles,” Textile, vol. 20, no. 1, pp. 55-73, 2022, doi: 10.1080/14759756.2021.1955582.

View Article

A. Dragojlovic and L. Quinan C, “Queering and decolonising the museum: ‘In the Presence of Absence’ exhibition at the Stedelijk Museum,” Memory Studies, vol. 16, no. 1, pp. 161-165, 2023, doi: 10.1177/17506980221143708.

View Article

Similar Articles

<< < 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 > >> 

You may also start an advanced similarity search for this article.