Digital Technology Enables Optimization of Piano Playing Techniques: A Study on Performance Error Identification and Correction Based on Multimodal Acoustic Data

Main Article Content

Y. S. Zhang

Abstract

Objective and efficient evaluation of piano performance remains difficult due to the complex interaction among motor control, acoustic characteristics, and artistic expression. To improve the accuracy of performance assessment and training feedback, this study proposes a multimodal acoustic data-driven framework for piano performance error identification and correction. High-precision audio acquisition devices and motion capture sensors are employed to synchronously collect acoustic signals and key-motion parameters, forming a multimodal performance dataset. Based on signal analysis and pattern recognition techniques, an automated error identification model is developed to detect deviations in pitch accuracy, rhythmic stability, and dynamic control. Personalized correction strategies are subsequently generated through visual feedback and adaptive training modules. Experimental evaluation involving learners at different skill levels demonstrates that the proposed system significantly improves technical performance indicators compared with conventional training methods. Furthermore, the analysis reveals strong correlations between performance error patterns and practice behaviors. The proposed framework provides an effective approach for intelligent music education and offers methodological references for acoustic signal processing, multimodal sensing, and pattern recognition applications.

Downloads

Download data is not yet available.

Article Details

How to Cite
Zhang, Y. S. (2026). Digital Technology Enables Optimization of Piano Playing Techniques: A Study on Performance Error Identification and Correction Based on Multimodal Acoustic Data. Advanced Electromagnetics, 15(3), 3178–3183. https://doi.org/10.7716/aem.v15i3.3376
Section
Research Articles

References

H. Jia, “Piano performance techniques and musical expressiveness,” Pacific International Journal, vol. 6, no. 4, pp. 34-37, 2023, doi: 10.55014/pij.v6i4.461.

View Article

Y. Zheng and W. Leung B, “Perceptions of developing creativity in piano performance and pedagogy: An interview study from the Chinese perspective,” Research Studies in Music Education, vol. 45, no. 1, pp. 141-156, 2023, doi: 10.1177/1321103X211033473.

View Article

Y. Hu, “Research on Piano Performance and Emotional Expression,” The Educational Review, USA, vol. 8, no. 9, pp. 1151-1155, 2024, doi: 10.26855/er.2024.09.009.

View Article

Ö. Kandemir and T. Yoku¸s, “The effect of learning strategies on piano performance self-efficacy levels and performance success,” Cukurova University Faculty of Education Journal, vol. 52, no. 2, pp. 446-470, 2023, doi: 10.14812/cuefd.1265516.

View Article

Y. Jiang, “A comparative study of piano performance programs at university-level institutions in China and the United States: From current faculty members’ and students’ perspectives,” International Journal of Music Education, vol. 40, no. 3, pp. 378-391, 2022, doi: 10.1177/02557614211065760.

View Article

A. Johnson, “The Stanislavsky system of actor training and piano performance: The need for interdisciplinary applications,” Stanislavski Studies, vol. 12, no. 2, pp. 217-235, 2024, doi: 10.1080/20567790.2024.2405481.

View Article

C. Meng, “Expressive movements in piano performance: The inducing factors,” Journal of Human Movement Science, vol. 5, no. 1, pp. 74-79, 2024, doi: 10.23977/jhms.2024.050111.

View Article

Y. Wang, J. Yao, Y. Zhou, et al., “Automatic piano performance interaction system based on greedy algorithm for dexterous manipulator,” Virtual Reality & Intelligent Hardware, vol. 6, no. 6, pp. 473-485, 2024, doi: 10.1016/j.vrih.2024.09.001.

View Article

I. Jentzsch and Y. Braun, “Effects of attention focus instructions on amateur piano performance,” Psychology of Music, vol. 51, no. 2, pp. 579-591, 2023, doi: 10.1177/03057356221101431.

View Article

O. Kızılay M, “The Paris Conservatory: Evolution, Key Figures, and the Influence of French Culture on Piano Performance Training,” Pegem Journal of Education and Instruction, vol. 15, no. 2, pp. 1-8, 2025, doi: 10.47750/pegegog.15.02.01.

View Article

G. Luo, Y. Ning, and L. Zong, “The expression of sound art in piano performance,” Journal of Education and Educational Technologies, vol. 3, no. 11, pp. 17-22, 2023, doi: 10.53469/jeet.2023.03(11).04.

View Article

G. Qiu, “Emotional Expression and Skill Handling in Piano Performance,” Art and Performance Letters, vol. 3, no. 4, pp. 82-90, 2022, doi: 10.23977/artpl.2022.030416.

View Article

M. Nabijanovna R, “Music culture importance of piano performance,” International Journal of Pedagogics, vol. 4, no. 10, pp. 31-34, 2024, doi: 10.37547/ijp/Volume04Issue10-06.

View Article

X. Wei and S. Sun, “Optimization of Piano Performance Teaching Mode Using Network Big Data Analysis Technology,” International Journal of Information and Communication Technology Education (IJICTE), vol. 20, no. 1, pp. 1-20, 2024, doi: 10.4018/IJICTE.341266.

View Article

X. Huang, “Research on Solfeggio Teaching Method for Piano Performance Teaching in Colleges and Universities,” Applied & Educational Psychology, vol. 4, no. 4, pp. 15-21, 2023, doi: 10.23977/appep.2023.040403.

View Article

Similar Articles

<< < 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 

You may also start an advanced similarity search for this article.